NEOMYTHOLOGY AND THE MYSTICISM OF WAR IN PLAYS ABOUT THE OCCUPATION OF KHERSON AND KHERSON REGION (BASED ON THE ANTHOLOGY “DRAMA PANORAMA 2023”) Olena Yevhenivna Bondareva 10-24 PDF (Українська)
THE FEMINIST DIMENSION OF SOFIIA YABLONSKA’S TRAVELOGUES Halyna Ivanivna Matusiak 25-33 PDF (Українська)
POETICAL AND SONG APPLICATIONS IN MARYNA HRYMYCH’S NOVEL “KLAVKA” Ivan Vasylovych Nemchenko 34-43 PDF (Українська)
DECONSTRUCTING OF UNRELIABLE NARRATION: AUTHORIAL CUES AND READER ENGAGEMENT (A STUDY OF ZOE HELLER’S “NOTES ON A SCANDAL”) Oleksandr Volodymyrovych Keba 46-53 PDF (Українська)
SEMANTIC AND STYLISTIC FEATURES OF THE CONCEPT OF “TRAUMA” IN ELIZABETH STROUT’S NOVEL “OLIVE KITTERIDGE” Yuliia Yuriyivna Mamai 56-61 PDF (Українська)
ETHNOCULTURAL CODES OF THE AGASPHERE MYTHOLOGEME IN OLEKSA STOROZHENKO’S NOVEL “MARKO THE DAMNED” Nina Illivna Ilinska 64-78 PDF (Українська)
ACADEMIC DISHONESTY: TRANSLATION AND USAGE OF TERMS IN UKRAINIAN HIGHER EDUCATION SYSTEM Iryna Mykolaivna Kalynovska 80-87 PDF (Українська)
VISUAL METAMORPHOSES OF KHARKIV IN YURII SHEVELOV’S MEMOIRS “I – ME – TO ME... (AND AROUND)” Valentyna Oleksiivna Borbuniuk 90-97 PDF (Українська)
“MASS MEDIA-GASTRONOMIC” LANGUAGE OF ADVERTISING AND PR COMMUNICATIONS (BASED ON THE IMAGE OF A UNICORN) Eleonora Heorhiivna Shestakova 98-117 PDF (Українська)
THE PHENOMENON OF UNCERTAINTY IN MODERN LITERATURE: RESEARCH PERSPECTIVES Nina Illivna Ilinska 120-123 PDF (Українська)
